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Sarnath (Buddha first sermon)


Sarnath is one of the most beautiful sites in the world, marking the place where the Buddha delivered his first sermon, taught his first disciples and introduced the world to his doctrine of peace. The site lies 10 kilometers north of the city of Varanasi, and it is said that the Buddha came here to a tranquil shady forest teeming with deer and was persuaded by his followers to speak of his experiences after his enlightenment at Bodh Gaya (Bihar) and to set up the first Buddhist sangha or order. Its religious significance and association with the Buddha made Sarnath a popular pilgrim spot for more than a thousand years (third century BC to the thirteenth century). Today the site consists of commemorative stupas, remains of monasteries of different historical periods, some new Buddhist institutions, and a museum with a wonderful collection of Buddhist art.

The main area has been enclosed and consists of a labyrinth of half-ruined monasteries and votive stupas. It is fascinating to walk amidst these relics of the past. The building that dominates ones attention is the Dhamek Stupa (fifth to sixth century) that commemorates the spot where the Buddha gave his first sermon. It is a cylindrical tower (30 meters high) and, like all other stupas, is a solid structure. The trunk of the stupa is decorated with panels carved with geometric and floral designs. Several attempts to excavate the stupa have revealed that the structure was enlarged no less than twelve times, with each successive patron adding and embellishing the original shrine. Another ruined stupa, the Dharmarajika Stupa, lies to the west of Dhamek Stupa (third century BC) and is believed to have been built by Emperor Ashoka. Within its solid hemispherical mound a casket of funerary relics was found.

The Archaeological Museum of Sarnath is a splendid building built early this century and stands adjacent to the historical ruins. The museum contains a large collection of sculptures which stands testimony to the fervent artistic and religious activity at Sarnath for more than a thousand years. The first sculpture to be encountered in the entrance hall is a huge capital (2.31 meters in height) that once crowned a free-standing pillar amidst the Sarnath ruins. The Lion capital is made of pale yellowish-grey speckled sandstone, and has been burnished so well that its polished surface still shines. This style of highly polished stone sculpture is associated with the times of the Mauryan Emperor Ashoka (third century BC) when pillars carrying Buddhist symbols were erected throughout the kingdom to mark places of special religious significance. The capital has four lions seated back and their snarling (smiling?) faces gaze towards the four cardinal directions which they protect. Below, on the abacus, are four wheels, the emblems of the law of dharma (spiritual movement and progress). The Dharmachakra wheel is also the sign of Sarnath, for it is here that the Buddha set the spiritual wheel in motion by showing people the way to truth and enlightened living. Separating the wheels on the capital base are symbolic attributes which the devotee should acquire: the patient devotion of the bull, the trustworthy strength of an elephant, the fearless power of the lion, king of the jungle, matched by the swiftness of the horse. This lion capital with its message of peace and dedication was chosen as the emblem of the Indian Republic and is to be found on all government documents and on all Indian currency.

Within the same hall is another sculpture called Buddha Preaching the Law which sums up the events at Sarnath. The Buddha is shown seated with his hands indicative of 'turning the wheel of dharma', and below are his disciples, the deer of the jungle, and at the center is the dharmachakra. Other sculptures of the museum are of the Bodhisattva, the potential Buddhas who, out of compassion for the world, remain on earth to lead people to the path of truth, ahimsa or non-violence. The later Kushan period (second century AD) statuses depict the Bodhisattva in flowing togas and striking jewellery. There are any number of statues of the Buddha, as if there had been sculpture factory at Sarnath in the Gupta period (fourth to fifth century AD).